CONTACT

^{TEL (+32) 0472418622

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KUNST IN HUIS}

CV / EXHIBITIONS

^{2020-2021 Educative Master, LUCA school of arts, Brussels
2013-2014 Master Visual Arts, LUCA school of arts, Ghent
2010-2013 Bachelor Visual Arts, LUCA school of arts, Ghent}

P R E V I O U S L Y

^{2023 A4 a Wall, groupexhibition, VROOM space, Brussels, BE}

^{2023 ASSEMBLES PATTERNS, Yellow Brick artistresidency, Athens, GR}

^{2023 TINA, This Is Not An Ashtray, vitrine, Ghent, BE}

^{2023 OPEN ATELIER, KUNSTWERKT, Brussels, BE}

^{2021 BUY LOCAL#2 zomersalon, KUNSTHAL, Gent, BE

2020 BOLTRA ,groupexhibition, Brussels, BE}^{2020 Where are the people, oline expo, Brussels, BE
2020 Truly Truly Design Studio’s, Rotterdam, NL

2019 Wassla, LE 18 , Marrakech, RA
2019 Artistresidency , LE18, Flemisch Government, Marrakesh, RA
2019 Continiuous Constructions, KUNST IN HUIS , Brussels, BE
2019 Groep expo, Groupexhibition, Perkamentstraat, Ghent, BE
2019 Groupexhibition, CC Zwanenberg, Heist-op-den-berg, BE

2018 3th price Abstract Painting, CCZwanenberg, BE
2018 YUGEN#16, YugenKombucha, Ghent, BE
2018 Naar het schijnt kan je bij jou binnen kijken, Antwerp, BE
2018 Taart in de brievenbus, Sint-Maria Horebeke,BE

2017 A size too short, Rossi Contemporary gallery, Brussels, BE
2017 AL YOU NEED IS A LAVATORY, Ghent, BE
2017 WERF, Ghent, BE
2017 HIV ontrafelen, veiling, S.M.A.K, Ghent, BE
2017 Strictly Rabbit, Ghent, BE

2016 De muren hebben ogen, Wieze, BE
2016 Kabinet#2, Ghent, BE
2016 2nd price PBK ,Harelbeke, BE
2016 Peinture, dessin, sculpture, Culturel Centrum, Marchin, BE

2015 Teer 51, Astene, Deinze, BE
2015 Fris XII, Ghent, BE
2015 TUMULT #03, CAMPO VICTORIA, Ghent, BE

2014 Abstract Boven, Quai des Arts, Ghent, BE
2014 EXPO 09, Ghent, BE}

PROJECTS

A S S E M B L E D P A T T E R N S

‘ASSEMBLED PATTERNS’, Athens, Nea Ionia, 2023
residency Yellow Brick studio’s

Is a research of sounds in the public space of Athens shaped into field recordings that have been assembled in an audiowork and tells a story about the city. The work was shown to the public in the form of an installation that consisted of a table that acted as a workspace but also as a pedestal to exhibit the work. The installation was extended by speakers and fans that produced the sound during the two listening sessions that took place on the evening of the open studios.

Aaron Daem and Evelyn Vanoverbeke are artists based in Brussels, sharing their fascination for urban environments
and alternative forms of note-taking e.g. field recording, cognitive mapping and associative writing. During this presentation
we immerse ourselves in the space of Yellow Brick that for some hours is transformed into a safe public space inviting us to
sessions of deep listening. “Assembled Patterns” is a work in process, rather than a finished piece, an assemblage of questions
that the artists pose to themselves both regarding methodology of research but also of a collaborative experience of artistic
production.

Emerging in a city like Athens and Nea Ionia, where even the boundaries between municipalities are literally invisible, is cha-
otic and it would be superficial to claim that there is one single sound that represents all these multiple layers engraved in

the urban environment. However the methodology followed scratched these layers revealing facts and provoking reflections.
During the one month long residency at Yellow Brick in Nea Ionia they worked in search of the “Athenian” sound, researching
the documentation of language, urban “noise” and its absence.
From the sound inside the church of St Panteleimon, the echoes of sound of the city mix with the voices of the people inside,

with children’s voices from the playground, creating a noisy environment in a topos of prayer and pre-supposed silence, mak-
ing us wonder about the essence of lack of sound and the distance or closeness to the reality that this can create. At the same

time, their persistence and committed research around certain axes like the green line of the overground train enriched this
sound archive with an alternation of the parallel sounds, the one that one can see (the train) and hear and the invisible one,
the water running through the river underneath it. It is in this constant shift of the visible and the invisible sound resource
that the sound pieces invite us in. Sounds that one can find familiar or not, can imagine their origin and can possibly give a
personal visual identity.

At the same time their co-working methodology, common pace and working pattern is also integral and primary in the
space. The visual manifestation of this collaboration is the platform built by the two artists as a working table. This functions
both as a collector of accumulated knowledge, recordings of voices and sounds, notes and images but also as the common
ground of collaboration. It is this common ground that with two equal sides it can also easily recall the popular phrase “what
do you bring on the table?” Bringing their personal practices with different departure points and past manifestations, they
chose this platform as a space of mutual exchange and common growth, using sound as their common means as it is new
but also superficially invisible.

CREDITS

text by Niovi Zarampouka-Chatzimanou
pictures by Alexandra Masmanindi

This residency was supported by the Flanders Government, department CJM (Culture, Youth and Media).